Zac Banik is a Slavic-American Jew who makes new things out of old things. He believes that difference is worth celebrating and tradition is worth remembering. He wants to bring people together, repair what is broken and put a smudge on every clean surface.

Zac was born in Cheltenham, England to American parents, whom he calls every day, and grew up in the Baltimore, Maryland metro area. He now lives in Portland, Oregon with his best friend and their three cats, where he creates art, finds clever solutions to problems, teaches craft and obsessively licks his teeth until his tongue bleeds and he has to sleep with a cotton ball in his mouth.

Zac works in a variety of mediums, including sculpture, drawing, painting, textiles and narrative object design. He describes his aesthetic style as folk-modernism, combining the radical formal explorations of the early 1900’s with the deeply human signs, symbols and evidence of the creator’s hand preserved in folk craft. His interests lie in neo-Hasidism, solar punk, practical utopianism, third wave behavioralism, speculative ethnography and the social model of disability recovery. He has worked as a musician, an artist and designer, a teacher, a mental health worker, a sewist, an entrepreneur, a farm hand, a writer, an arts administrator and, briefly, in accounts receivable. 

Zac is a member of Gallery 114 in Portland, Oregon.

Image by Alex Broerman

Education

Rhode Island School of Design | Providence, RI
MFA, Furniture Design | 2019
Graduate Certificate in Collegiate Teaching in Art and Design

University of Maryland Baltimore County | Baltimore, MD
BA, Anthropology (Minor in Sociology) | 2015

Current Practice

Studio Nikto | Portland, OR
Principal Designer | 2020–Present

Grenville Games | Baltimore-DC Metro
Art Director | 2024–Present
Head of Product and Business Development | 2024–Present

Gallery 114 | Portland, OR
Member Artist | 2024–Present

Selected Professional Activity

Guest Speaker | Jewish American Heritage Month, Corvallis Museum | 2024
Guest Speaker | Co/Lab at ORA: Judaism and the Creative Path, MJCC | 2024
End of Year Reviewer | Applied Craft and Design, PNCA | 2022
Guest Critic | Applied Craft and Design, PNCA | 2021
Department Representative | Haystack Art Schools Collaborative | 2018

Community & Leadership

ORA Northwest Jewish Artists | Portland, OR
Board Chair of Education | 2023–2024
Organizer & Curator, Mayim Chayim: Waters of Life and Peace | 2024

Art/Lab | Portland, OR
Workshop Facilitator | 2024-2025

Rhode Island School of Design | Providence, RI
Furniture Department Graduate Liaison | 2018–2019
Graduate Student Alliance Representative | 2017–2018

Awards/Honors

Gather Grant (Fall & Spring) | Jewish Federation of Greater Portland | 2025
Arts3C Grant | RACC | 2024
Calhoun Peterson Scholarship | Telecare Corporation | 2024
Tage Frid Award for Excellence in Student Teaching | RISD | 2019

Residencies

Zymoglyphic Museum Residency | Portland, OR | 2024
Art/Lab Cohort 2 | Portland, OR | 2022–2023
Flowers for Slovakia | Trnava, Slovakia | 2019


Additional Experience

Private Instructor | Studio Nikto | 2024
Sewing Apprentice | Hidden Opulence, Portland | 2024
Freelance Product Designer | Studio Nikto | 2023–2024
Lighting Production Associate | Studio Endo, Providence | Summer 2019
Shop Tech Assistant | RISD Furniture Metal Shop | 2017–2019
Designer/Builder | RISD Nature Lab | Summer 2018
Prototyper | Sosolimited, Boston | Summer 2018
Design Intern | Pneuhaus, Providence | Summer 2017

CV

Teaching & Education

Pacific Northwest College of Art | Portland, OR
Part-time Faculty | 2023–2024
Continuing Education Instructor | 2022–2023
Courses: Wood Joinery: Furniture, Freeform Quilting Intensive

Portland Community College | Portland, OR
Continuing Education Instructor | 2022–2024
Courses: Metals for Furniture Design, Visible Mending, Slavic Food and Cooking

Wildcraft Studio School | Portland, OR
Instructor | 2022–2024
Workshops: Drotarstvo (Slovak Wirecraft), Stone Carving, Ethnodesign

Slovak Technical University | Bratislava, Slovakia
Guest Lecturer | Fall 2019
Course: Follow the Root: Slovak Ethnodesign

Rhode Island School of Design | Providence, RI
Graduate Teaching Assistant | 2018–2019
Courses: Alternative Metals for Furniture Design, Speculative Design

Exhibitions

Solo & Duo
To the Body (w/ Adam Amidei). Gallery 114. Portland | 2025
SOCIAL FABRIC (w/ Olivia Johnson) | Gallery 114, Portland | 2025
Of Two Minds (w/ Michael Spence) | Gallery 114, Portland | 2024
RENDEZVOUS XXVII | Hidden Gallery, Sheridan, OR | 2024

Selected Group
Children of Ruth: Artists Choosing Judaism | Heller Museum, New York | 2025
Tikvah: Hope in the Dark | This is Not an Exit Gallery, Portland | 2024
Museum As Muse IV | Gallery 1122, Portland | 2024
Makhloket: Divisions and Integrations | Eastside Jewish Commons, Portland | 2023
Flowers for Slovakia | Helsinki Design Week, Finland | 2022
Flowers for Slovakia | Designblok, Prague | 2021
Flowers for Slovakia | Bratislava Design Week, Slovakia | 2020

Collections

Museum of Jewish Culture, Slovak National Museum | Bratislava, Slovakia
Regional Arts and Culture Council, Public Art Collection | Portland, OR

Media & Press

Banik's Gallery 114 Exhibit brings friends together | The Jewish Review | 2025
Community mikvah welcomes artists for Shavuot | The Jewish Review | 2024
ORA's light to glow in post-pandemic show | The Jewish Review | 2022
The Genesis: Jewish Creativity Vs. Tradition and... Jewish AI? (Podcast) | 2024
Dungeon Kids (Band) | Baltimore, MD | 2012–2015