Zac Banik is a Slavic-American Jew who makes new things out of old things. He believes that difference is worth celebrating and tradition is worth remembering. He wants to bring people together, repair what is broken and put a smudge on every clean surface.
Zac was born in Cheltenham, England to American parents, whom he calls every day, and grew up in the Baltimore, Maryland metro area. He now lives in Portland, Oregon with his best friend and their three cats, where he creates art, finds clever solutions to problems, teaches craft and obsessively licks his teeth until his tongue bleeds and he has to sleep with a cotton ball in his mouth.
Zac works in a variety of mediums, including sculpture, drawing, painting, textiles and narrative object design. He describes his aesthetic style as folk-modernism, combining the radical formal explorations of the early 1900’s with the deeply human signs, symbols and evidence of the creator’s hand preserved in folk craft. His interests lie in neo-Hasidism, solar punk, practical utopianism, third wave behavioralism, speculative ethnography and the social model of disability recovery. He has worked as a musician, an artist and designer, a teacher, a mental health worker, a sewist, an entrepreneur, a farm hand, a writer, an arts administrator and, briefly, in accounts receivable. 
Zac is a member of Gallery 114 in Portland, Oregon.
Image by Alex Broerman
Education
Rhode Island School of Design | Providence, RI
 MFA, Furniture Design | 2019
 Graduate Certificate in Collegiate Teaching in Art and Design
University of Maryland Baltimore County | Baltimore, MD
 BA, Anthropology (Minor in Sociology) | 2015
Current Practice
Studio Nikto | Portland, OR
 Principal Designer | 2020–Present
Grenville Games | Baltimore-DC Metro
 Art Director | 2024–Present
 Head of Product and Business Development | 2024–Present
Gallery 114 | Portland, OR
 Member Artist | 2024–Present
Selected Professional Activity
Guest Speaker | Jewish American Heritage Month, Corvallis Museum | 2024
Guest Speaker | Co/Lab at ORA: Judaism and the Creative Path, MJCC | 2024
End of Year Reviewer | Applied Craft and Design, PNCA | 2022
Guest Critic | Applied Craft and Design, PNCA | 2021
Department Representative | Haystack Art Schools Collaborative | 2018
Community & Leadership
ORA Northwest Jewish Artists | Portland, OR
 Board Chair of Education | 2023–2024
 Organizer & Curator, Mayim Chayim: Waters of Life and Peace | 2024
Art/Lab | Portland, OR
 Workshop Facilitator | 2024-2025
Rhode Island School of Design | Providence, RI
 Furniture Department Graduate Liaison | 2018–2019
 Graduate Student Alliance Representative | 2017–2018
Awards/Honors
Gather Grant (Fall & Spring) | Jewish Federation of Greater Portland | 2025
Arts3C Grant | RACC | 2024
Calhoun Peterson Scholarship | Telecare Corporation | 2024
Tage Frid Award for Excellence in Student Teaching | RISD | 2019
Residencies
Zymoglyphic Museum Residency | Portland, OR | 2024
Art/Lab Cohort 2 | Portland, OR | 2022–2023
Flowers for Slovakia | Trnava, Slovakia | 2019
Additional Experience
Private Instructor | Studio Nikto | 2024
Sewing Apprentice | Hidden Opulence, Portland | 2024
Freelance Product Designer | Studio Nikto | 2023–2024
Lighting Production Associate | Studio Endo, Providence | Summer 2019
Shop Tech Assistant | RISD Furniture Metal Shop | 2017–2019
Designer/Builder | RISD Nature Lab | Summer 2018
Prototyper | Sosolimited, Boston | Summer 2018
Design Intern | Pneuhaus, Providence | Summer 2017
CV
Teaching & Education
Pacific Northwest College of Art | Portland, OR
 Part-time Faculty | 2023–2024
 Continuing Education Instructor | 2022–2023
 Courses: Wood Joinery: Furniture, Freeform Quilting Intensive
Portland Community College | Portland, OR
 Continuing Education Instructor | 2022–2024
 Courses: Metals for Furniture Design, Visible Mending, Slavic Food and Cooking
Wildcraft Studio School | Portland, OR
 Instructor | 2022–2024
 Workshops: Drotarstvo (Slovak Wirecraft), Stone Carving, Ethnodesign
Slovak Technical University | Bratislava, Slovakia
 Guest Lecturer | Fall 2019
 Course: Follow the Root: Slovak Ethnodesign
Rhode Island School of Design | Providence, RI
 Graduate Teaching Assistant | 2018–2019
 Courses: Alternative Metals for Furniture Design, Speculative Design
Exhibitions
Solo & Duo
 To the Body (w/ Adam Amidei). Gallery 114. Portland | 2025
 SOCIAL FABRIC (w/ Olivia Johnson) | Gallery 114, Portland | 2025
 Of Two Minds (w/ Michael Spence) | Gallery 114, Portland | 2024
 RENDEZVOUS XXVII | Hidden Gallery, Sheridan, OR | 2024
Selected Group
 Children of Ruth: Artists Choosing Judaism | Heller Museum, New York | 2025
 Tikvah: Hope in the Dark | This is Not an Exit Gallery, Portland | 2024
 Museum As Muse IV | Gallery 1122, Portland | 2024
 Makhloket: Divisions and Integrations | Eastside Jewish Commons, Portland | 2023
 Flowers for Slovakia | Helsinki Design Week, Finland | 2022
 Flowers for Slovakia | Designblok, Prague | 2021
 Flowers for Slovakia | Bratislava Design Week, Slovakia | 2020
Collections
 Museum of Jewish Culture, Slovak National Museum | Bratislava, Slovakia
 Regional Arts and Culture Council, Public Art Collection | Portland, OR
Media & Press
Banik's Gallery 114 Exhibit brings friends together | The Jewish Review | 2025
Community mikvah welcomes artists for Shavuot | The Jewish Review | 2024
ORA's light to glow in post-pandemic show | The Jewish Review | 2022
The Genesis: Jewish Creativity Vs. Tradition and... Jewish AI? (Podcast) | 2024
Dungeon Kids (Band) | Baltimore, MD | 2012–2015
 
                        